A conversation with biographer Timothy Brennan about the enduring political and intellectual legacy of the Palestinian thinker.
Edward Said was our prince,” the Egyptian novelist Ahdaf Soueif recently said in a conversation reflecting on the Palestinian public intellectual’s life and writings. An incomparable thinker, Said is credited with founding postcolonial studies, penning histories of cultural representation and “the Other,” and, in so doing, upending the Anglo-American academy. His Orientalism, published in 1978, is among the most cited books in modern history, by some accounts above Marx’s Capital and Darwin’s On the Origin of Species. Throughout decades of essays, books, and reviews, Said showed his care for form and the structures of feeling, seeing in their examination a means of understanding music, literature, the world, and Palestine, his home.
Said was many other things—a critic, a dandy, a narcissist, a mentor, a polemicist, and a singular wit. In 1995’s Peace and Its Discontents—the first of his books intended for an Arab audience—Said describes the Oslo Accords as a “degrading spectacle of Yasser Arafat thanking everyone for what amounted to a suspension of his people’s rights,” shrouded in the “fatuous solemnity of Bill Clinton’s performance, like a twentieth century Roman empire shepherding two vassal knights through rituals of reconciliation and obeisance.” The Palestinian leader for decades, Arafat would come to ban Said’s books in the West Bank and Gaza, a result of Said’s early positions in support of the one-state solution and his criticisms of Oslo.
Said’s commitment to the liberation of the Palestinian people made him enemies closer to home as well. Late in his life, and after 9/11, Said felt isolated by his American friends and colleagues, as if they had “suddenly discovered they were imperialists after all, and had turned themselves into mouthpieces for the status quo,” as he said in one of his final interviews, filmed by English documentarian Mike Dibb in 2003, just a few months before leukemia would take Said’s life. After being faced with the capricious nature of American letters, Said found solace among Arabs.
Many who opposed Said’s political commitments to Palestine spent years attempting to tear him down, and those who owe a debt to him as a person and a scholar have had to rely on private conversations and his own enormous œuvre to contest those depictions. Timothy Brennan, an author and professor who was Said’s former graduate student and a close friend, has attempted to change that with Places of Mind, his biography of Said.
As the reviews of the book have come in, though, it has been dispiriting to see a procession of white writers get Said wrong. Dwight Garner, in his review for The New York Times, “A Study of Edward Said, One of the Most Interesting Men of His Time,” seems to find every possible thing interesting about Said except his identity as a Palestinian, devoting more lines to Said’s sex life than his views on the liberation of his own people. This reflects Garner’s paper’s own treatment of Said when he was alive (The New York Times Book Review published Said 10 times, zero times on Palestine) and echoes its consistent overlooking of Palestinian voices—publishing almost 2,500 op-eds on Palestine since 1970, with only 46 authored by Palestinians. This recent review only furthers something white critics have always misunderstood about Said: In treating his Palestinian identity as a curiosity rather than an animating feature of his life and work, they miss how generative the experiences of the (albeit privileged) colonial subject were to the writing of Orientalism (or Beginnings, Covering Islam, and The Question of Palestine, for that matter). These currents are convincingly traced in Brennan’s intellectual history.
In our conversation, Brennan discusses Said’s literary influences, his relationship to Marxism, his views on the growing movement to boycott Israel, his friendship with anti-war leader Eqbal Ahmed, and his experiences with the New York media. This interview has been edited for length and clarity.
Disclaimer: The Debt We Owe Edward Said By Kaleem Hawa - Views expressed by writers in this section are their own and do not necessarily reflect Latheefarook.com point-of-view